uerlei The End Of The Line


Mensagens: 61757 Localização: Teresina
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Tu que não entendeu.
Não existe o suposto link que tu criou entre fazer turnê com banda não-metal e BAIXÍSSIMA popularidade.
Editado pela última vez por uerlei em Thu Mar 29, 2018 11:45 am, num total de 1 vez |
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Camões The End Of The Line


Mensagens: 61849 Localização: Portugal
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Tava cheio porque tinha as outras bandas la |
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Skull The End Of The Line

Mensagens: 93900
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[metalremains] Ditador


Mensagens: 73378
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Média da turnê foi 83% da capacidade. Tá bom, po. |
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Skull The End Of The Line

Mensagens: 93900
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Claro, com Linkin Park e Limp Bizkit no auge ajudando. |
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Skull The End Of The Line

Mensagens: 93900
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Por que o Lars não liga pro Fred Durst pra tocarem juntos em 2018?
Limp Bizkit tem DJ.
Eles não são amigos?
E o Korn?
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uerlei The End Of The Line


Mensagens: 61757 Localização: Teresina
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| [metalremains] escreveu: | | Média da turnê foi 83% da capacidade. Tá bom, po. |
Não, isso é baixíssimo.
79,76 foram pelas outras bandas. |
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Skull The End Of The Line

Mensagens: 93900
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Sério que você realmente acredita que as outras bandas não tiveram qualquer impacto na turnê?
Em 2003 Linkin Park estava entre as 10 bandas que mais venderam discos nos EUA. Você ainda acha que todo mundo foi lá pra ouvir Frantic ao vivo? |
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uerlei The End Of The Line


Mensagens: 61757 Localização: Teresina
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Qualquer impacto? Devem ter tido.
Shows dos nossos mestres dão gente pelo que fizeram no passado, independente de álbum novo. E em 2003 Metallica também beliscou posição boa mesmo com o Shit Anger. |
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Sensui Shinoba Invisible Kid

Mensagens: 415
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| Skull escreveu: | Why Did METALLICA's Commercial Success Eclipse That Of Other 'Big Four' Bands? LARS ULRICH Weighs In
Asked what METALLICA did differently from the other "Big Four" thrash metal bands of the 1980s (SLAYER, MEGADETH and ANTHRAX) that made the James Hetfield-fronted outfit so much more commercially successful, Ulrich said: "Well, I don't wanna sell anybody down the river here. Obviously, all these bands are friends of ours, peers of ours, and I have a tremendous amount of respect and love for each one of those bands. But, I guess, we've always felt in METALLICA that we were autonomous and that we were in our own world and that we were misfits and that we never felt like we were part of a scene. So we really only ever charted our own course, as they say. We just are fiercely independent, and it's an approach to everything that we do, which is that we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever. But we just do what is right for METALLICA in our own universe. And we've made, I guess, some decisions along the way, both creatively and practically, that have put us on a different course. So it's not my place… I'm not a journalist, and it's not my place to sit and talk about why we are in a particular place and other people are not. I feel uncomfortable with that."
Lars also talked about the "most important decisions" that METALLICA has made over the years that have given the band greater commercial success than that attained by all of their peers.
"Like I said, the battle cry, the M.O. was always independence and just do our own thing and never feel that we had to serve anybody else, that we had to cater to anybody else's needs, any particular trends, any moments that were going on in business or in fashion or any kind of things that were part of particular trends or waves," Ulrich explained. "So musically, we played harder music, but we've never particularly felt that we were part of a scene. We always felt that we could… When 'Ride The Lightning' came out, our second album, in 1984, there was an acoustic guitar on the song 'Fade To Black', and people started freaking out: 'Oh my God! What are they doing?' But, to us, it was just the next natural place to go musically. So we've always let the creative energy and the creative flow dictate what we were doing, and then, like we say, the practical, the business, all that stuff, kind of is a second parallel course that follows it. It's almost to me… The analogy I give in interviews is that there's a train, and we're doing our best to steer the train, but at the same time, you can't just force the train to go — sometimes you end up actually holding on as the train is moving forward rather than forcing the train to a particular place. That's kind of how we look at all this type of stuff. So sometimes you've gotta hold on, sometimes you've gotta steer, and the thing is to know when to do what at which time."
Resumo: Metallica se vendeu. Megadeth, Slayer e Anthrax não. |
Uma resposta tão longa que poderia ser respondida tão simplesmente: James Hetfield
Põe o Scott Ian ou o Mustaine no lugar do Hetfield em 1988 tendo as mesmas decisões e direção que a banda teve e veja se alcançariam o mesmo nível de idolatria, representatividade mundial e fodalhice rsrs |
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Sensui Shinoba Invisible Kid

Mensagens: 415
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E esse Skull parece mulher traída  |
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Skull The End Of The Line

Mensagens: 93900
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Bay Area Thrasher The End Of The Line


Make america great again
Mensagens: 74752 Localização: Detroit - Michigan
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| Sensui Shinoba escreveu: | Uma resposta tão longa que poderia ser respondida tão simplesmente: James Hetfield
Põe o Scott Ian ou o Mustaine no lugar do Hetfield em 1988 tendo as mesmas decisões e direção que a banda teve e veja se alcançariam o mesmo nível de idolatria, representatividade mundial e fodalhice rsrs |
O metallica saberia tocar suas proprias musicas |
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Skull The End Of The Line

Mensagens: 93900
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Metallica é a única banda do mundo que faz shows em estádios e não sabe tocar as próprias músicas. |
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Bay Area Thrasher The End Of The Line


Make america great again
Mensagens: 74752 Localização: Detroit - Michigan
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Tem fanboyzinho pra passar a mao na cabeca ne |
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