Rapidinhas do Metallica

[Brenight]

Kirk é a prova viva de quando um aluno supera seu mestre.

Kirk é a prova viva de quando um aluno supera seu mestre.

[Bay Area Thrasher]

Voce é a prova viva de que o ser humano deveria ser extinto

Voce é a prova viva de que o ser humano deveria ser extinto

[LaGrecca]

Caralho

Caralho

[Brenight]

Bay Area Thrasher escreveu:

Voce é a prova viva de que o ser humano deveria ser extinto

Ta putinho, vou permitir.

Bay Area Thrasher escreveu:

Voce é a prova viva de que o ser humano deveria ser extinto

Ta putinho, vou permitir.

[LaGrecca]

Jack White Talks Banning Phones at Concerts With Metallica's Lars Ulrich
Guitarist also discussed collaborating with hip-hop musicians in wide-ranging interview for drummer's Beats 1 radio show

When Jack White announced a cell phone ban for his upcoming tour, he tipped his cap to Chris Rock, who employed a similar rule during a 2017 stand-up set at Third Man Records. White defended his decision in a recent interview with Lars Ulrich for the Metallica drummer's "It's Electric!" Beats 1 radio show, explaining how excessive technology use affects his mindset as a performer.

Can Jack White Change His Stripes?
White explained why he uses Yondr, a technology service that locks concertgoers' phones in a pouch during shows. "I really react to the crowd, just like a stand-up comedian would ... If I finish a song and go, 'Ta-da!', and it's crickets, I'm like, 'Well, I don't know what to do now.' Am I supposed to play a heavier song, a faster song? Do you want me to play acoustic? Do you want me to leave? I'll leave!' But what I don't like is, 'Is that how they really feel, or are they just not even paying attention because they're not engaged ... because they're texting?

"When you go to a movie theater, a symphony, church, whatever – there are all these moments in life where people put those away and engage," he continued. "And I love the idea of rock concerts being punk as hell and there are no rules. I love that. But I don't like the idea that I have no idea what to play next. And I need that. Because I've walked offstage before like, 'Man, I don't know what to do anymore. If this is how it's going to be from now on, it's going to be very difficult."

White also talked with Ulrich about collaborating with hip-hop live bands on his recently issued third solo LP, Boarding House Reach. "I really wanted to find musicians who played with hip-hop artists onstage – who backed up Kendrick or Jay-Z or Kanye or something," he said. "I thought that was a special musician that can [take] what's on a hip-hop track, where it's a sample or a drum machine, but replicate it live with real drums and real bass."

White has never been shy about his distaste for cell phones. In a recent Rolling Stone cover story, he noted that not carrying one equates to "freedom in a humongous way."

Jack White Talks Banning Phones at Concerts With Metallica's Lars Ulrich
Guitarist also discussed collaborating with hip-hop musicians in wide-ranging interview for drummer's Beats 1 radio show

When Jack White announced a cell phone ban for his upcoming tour, he tipped his cap to Chris Rock, who employed a similar rule during a 2017 stand-up set at Third Man Records. White defended his decision in a recent interview with Lars Ulrich for the Metallica drummer's "It's Electric!" Beats 1 radio show, explaining how excessive technology use affects his mindset as a performer.

Can Jack White Change His Stripes?
White explained why he uses Yondr, a technology service that locks concertgoers' phones in a pouch during shows. "I really react to the crowd, just like a stand-up comedian would ... If I finish a song and go, 'Ta-da!', and it's crickets, I'm like, 'Well, I don't know what to do now.' Am I supposed to play a heavier song, a faster song? Do you want me to play acoustic? Do you want me to leave? I'll leave!' But what I don't like is, 'Is that how they really feel, or are they just not even paying attention because they're not engaged ... because they're texting?

"When you go to a movie theater, a symphony, church, whatever – there are all these moments in life where people put those away and engage," he continued. "And I love the idea of rock concerts being punk as hell and there are no rules. I love that. But I don't like the idea that I have no idea what to play next. And I need that. Because I've walked offstage before like, 'Man, I don't know what to do anymore. If this is how it's going to be from now on, it's going to be very difficult."

White also talked with Ulrich about collaborating with hip-hop live bands on his recently issued third solo LP, Boarding House Reach. "I really wanted to find musicians who played with hip-hop artists onstage – who backed up Kendrick or Jay-Z or Kanye or something," he said. "I thought that was a special musician that can [take] what's on a hip-hop track, where it's a sample or a drum machine, but replicate it live with real drums and real bass."

White has never been shy about his distaste for cell phones. In a recent Rolling Stone cover story, he noted that not carrying one equates to "freedom in a humongous way."

[Skull]

Dois lixo.

Dois lixo.

[fanatic]

Num programa lixo.

Num programa lixo.

[Camões]

Falando lixo.

Falando lixo.

[uerlei]

Criticado por lixo.

Criticado por lixo.

[Shaman]

Defendido por lixo.

Defendido por lixo.

[Skull]

Why Did METALLICA's Commercial Success Eclipse That Of Other 'Big Four' Bands? LARS ULRICH Weighs In

Asked what METALLICA did differently from the other "Big Four" thrash metal bands of the 1980s (SLAYER, MEGADETH and ANTHRAX) that made the James Hetfield-fronted outfit so much more commercially successful, Ulrich said: "Well, I don't wanna sell anybody down the river here. Obviously, all these bands are friends of ours, peers of ours, and I have a tremendous amount of respect and love for each one of those bands. But, I guess, we've always felt in METALLICA that we were autonomous and that we were in our own world and that we were misfits and that we never felt like we were part of a scene. So we really only ever charted our own course, as they say. We just are fiercely independent, and it's an approach to everything that we do, which is that we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever. But we just do what is right for METALLICA in our own universe. And we've made, I guess, some decisions along the way, both creatively and practically, that have put us on a different course. So it's not my place… I'm not a journalist, and it's not my place to sit and talk about why we are in a particular place and other people are not. I feel uncomfortable with that."

Lars also talked about the "most important decisions" that METALLICA has made over the years that have given the band greater commercial success than that attained by all of their peers.

"Like I said, the battle cry, the M.O. was always independence and just do our own thing and never feel that we had to serve anybody else, that we had to cater to anybody else's needs, any particular trends, any moments that were going on in business or in fashion or any kind of things that were part of particular trends or waves," Ulrich explained. "So musically, we played harder music, but we've never particularly felt that we were part of a scene. We always felt that we could… When 'Ride The Lightning' came out, our second album, in 1984, there was an acoustic guitar on the song 'Fade To Black', and people started freaking out: 'Oh my God! What are they doing?' But, to us, it was just the next natural place to go musically. So we've always let the creative energy and the creative flow dictate what we were doing, and then, like we say, the practical, the business, all that stuff, kind of is a second parallel course that follows it. It's almost to me… The analogy I give in interviews is that there's a train, and we're doing our best to steer the train, but at the same time, you can't just force the train to go — sometimes you end up actually holding on as the train is moving forward rather than forcing the train to a particular place. That's kind of how we look at all this type of stuff. So sometimes you've gotta hold on, sometimes you've gotta steer, and the thing is to know when to do what at which time."



Resumo: Metallica se vendeu. Megadeth, Slayer e Anthrax não.

Why Did METALLICA's Commercial Success Eclipse That Of Other 'Big Four' Bands? LARS ULRICH Weighs In

Asked what METALLICA did differently from the other "Big Four" thrash metal bands of the 1980s (SLAYER, MEGADETH and ANTHRAX) that made the James Hetfield-fronted outfit so much more commercially successful, Ulrich said: "Well, I don't wanna sell anybody down the river here. Obviously, all these bands are friends of ours, peers of ours, and I have a tremendous amount of respect and love for each one of those bands. But, I guess, we've always felt in METALLICA that we were autonomous and that we were in our own world and that we were misfits and that we never felt like we were part of a scene. So we really only ever charted our own course, as they say. We just are fiercely independent, and it's an approach to everything that we do, which is that we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever. But we just do what is right for METALLICA in our own universe. And we've made, I guess, some decisions along the way, both creatively and practically, that have put us on a different course. So it's not my place… I'm not a journalist, and it's not my place to sit and talk about why we are in a particular place and other people are not. I feel uncomfortable with that."

Lars also talked about the "most important decisions" that METALLICA has made over the years that have given the band greater commercial success than that attained by all of their peers.

"Like I said, the battle cry, the M.O. was always independence and just do our own thing and never feel that we had to serve anybody else, that we had to cater to anybody else's needs, any particular trends, any moments that were going on in business or in fashion or any kind of things that were part of particular trends or waves," Ulrich explained. "So musically, we played harder music, but we've never particularly felt that we were part of a scene. We always felt that we could… When 'Ride The Lightning' came out, our second album, in 1984, there was an acoustic guitar on the song 'Fade To Black', and people started freaking out: 'Oh my God! What are they doing?' But, to us, it was just the next natural place to go musically. So we've always let the creative energy and the creative flow dictate what we were doing, and then, like we say, the practical, the business, all that stuff, kind of is a second parallel course that follows it. It's almost to me… The analogy I give in interviews is that there's a train, and we're doing our best to steer the train, but at the same time, you can't just force the train to go — sometimes you end up actually holding on as the train is moving forward rather than forcing the train to a particular place. That's kind of how we look at all this type of stuff. So sometimes you've gotta hold on, sometimes you've gotta steer, and the thing is to know when to do what at which time."



Resumo: Metallica se vendeu. Megadeth, Slayer e Anthrax não.

[uerlei]

A fala dele é muito contraditória.

A fala dele é muito contraditória.

[Skull]

Não sei pra quem esse pau no cu faz esses discurso. Quem acredita nisso aqui?

we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever

Fora que fez de tudo pra falar que não faz parte da cena do Metal.

Não sei pra quem esse pau no cu faz esses discurso. Quem acredita nisso aqui?

we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever

Fora que fez de tudo pra falar que não faz parte da cena do Metal.

[[metalremains]]

Eu acredito.

Eu acredito.

[uerlei]

Skull escreveu:

Não sei pra quem esse pau no cu faz esses discurso. Quem acredita nisso aqui? we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever Fora que fez de tudo pra falar que não faz parte da cena do Metal.

É o que ele fala em não fazer parte de uma cena, não tem uma marca. O que foi verdade.

Skull escreveu:

Não sei pra quem esse pau no cu faz esses discurso. Quem acredita nisso aqui? we don't try to latch on to another way of doing things or piggybacking on particular trends or fashions or business styles or whatever Fora que fez de tudo pra falar que não faz parte da cena do Metal.

É o que ele fala em não fazer parte de uma cena, não tem uma marca. O que foi verdade.